Proposal for purchasing new computers Case Study

Proposition for buying new PCs - Case Study Example The new screen has a more extensive screen than the more seasoned one and is smooth which helps in sparing the space on employee’s work area for different purposes. The new screen empowers representatives to take a shot at more than each application and window in turn and the speed of moving starting with one window then onto the next is even very high which spares time. The new screen is delivered from LED innovation which is vitality productive and will help the organization in setting aside cash in type of vitality. The new CPUs (Central Processing Units) can work on the two Windows 7 and Widows 8, these windows give new highlights to representatives which will help them in making spreadsheets and leading different activities identified with the records division. These new Windows work an a lot higher speed when contrasted with the out of date ones which are running on Windows XP. These new PCs have upgraded security frameworks which protects the work led by the representat ives of the records office and battles infections and spyware issues. HP Business Desktop Pro 6300 B5N09UT Desktop Computer Intel Core i3 2120 33GHz Micro Tower by Office Depot Officedepot.com (2012a) HP Business Desktop Pro 6300 B5N09UT Desktop Computer Intel Core i3 2120 33GHz Micro Tower by Office Depot. [online] Available at: http://www.officedepot.com/an/items/614333/HP-Business-Desktop-Pro-6300-B5N09UT/#firstTab [Accessed: 27 Dec 2012]. Samsung S23B300B 23 Widescreen LED Backlit Monitor Glossy Black by Office Depot Officedepot.com (2012b) Samsung S23B300B 23 Widescreen LED Backlit Monitor Glossy Black by Office Depot. [online] Available at: http://www.officedepot.com/an/items/281614/Samsung-S23B300B-23-Widescreen-LED-Backlit/#firstTab [Accessed: 27 Dec

Theraputic relationship Essay Example | Topics and Well Written Essays - 1000 words

Theraputic relationship - Essay Example The film losing Isiah has proof of the idea (restorative relationship); the film is an account of a little youngster (Isaiah) left in the garbage by her mom. The mother leaves the youngster for dead after she discovered her missing in the dumpster she had left him. Junk authorities discover him and take him to the emergency clinic where a social specialist named Margaret Lewin checks out the kid, later she begins filling the selection papers for the young man. Margaret and Charles (her better half) need to give Isaiah a decent and adoring home along with their little girl Hannah. The young men mother, khaila is captured for ownership of medications and shoplifting, she is later taken to a recovery program where she recuperates and keeps up without the utilization of medications. After she leaves the program she makes sure about a great job and finds a decent spot she lives, khaila later understands that her youngster is well and alive. With the assistance of her legal advisor and her guide, khaila endeavors to get Isaiah back, news that crushed the Lewins who by then thought about Isaiah, their own child. The family likewise opens a case to battle for the kid, yet the equivalent goes for the mother, anyway khaila wins the case by indicating that the two white guardians didn't open the kid to his way of life (dark country), they didn't give the kid any books about blacks, had no dark companions, and no dark dolls. Despite the fact that the decision was against Margarets contention was better as she shielded her case by contending that all that made a differenc e was the adoration the family had for Isaiah and not political accuracy. Khaila gets a specialist witness (therapist) who contended that the mother had changed and that the youngster ought to develop to her own race. As the social specialist removes the kid, after her mom won the case, it is clear that the kid would not like to leave the white family. In this scene, the kid shouts and sobs for the Lewins,

gigas

gigas During our interview trip in Spain, we interviewed Diego Cabezudo CEO and co-founder of Gigas, a start-up based in Madrid. Gigas is an innovative cloud hosting provider with a leading position in Spanish speaking countries.Diego as a spirited entrepreneur shared his insights about the business model of Gigas, the market development of cloud hosting, and his advice to first time entrepreneurs.Interviewer: Hi. Today we are in Madrid with Gigas. Diego, who are you and what do you do?Diego: Hi. I am one of the co-founders of Gigas. We started in 2011. Just to start with a bit of background for myself and the team as well, we were five founders that started the company and all of us came from telecom and internet. So our background is of both big multinationals and startups. I am the only one that did not go through Ya.com, but the rest of the team comes from Ya.com, which was at the time the largest portal in Spanish speaking world, and also the second largest ISP in Spain. It was start ed in 1999 and it was extremely successful, and less than two years later was sold to Deutsche Telekom, so it was one of the big successes, if not the largest, in the internet in Spain. So our president was the CEO there that led the sales, and our CTO was the CTO, and actually all the technical guys, the system administrators come from there, which is a great background because obviously they were managing like five hundred servers, huge amount of traffic, high availability, and that’s really what you want out of a hosting company.Myself I’m mostly telecom. I was in TeleCable, which was one of the first cable ISPs here in Spain, and a very successful one. I was actually the first employee of the company, because it was a company set up by the electrical company so they put three of their guys and then hired a young trainee, and that was me, so that was a great experience. And then I’ve been also in other telecom companies like O2 where I was the head of strategy, or business and technology, so quite interesting as well. And then also in smaller companies and startups like Fon, the Wi-Fi company. And my last role was the CEO of an IT managed services company. That was a Spanish company and I expanded it into the State and Brazil, Mexico, Latin America, quite successfully. So quite similar to what I am doing now.And also I think the background in telecom is quite important because historically hosting has come from more like the computer guys, and I think telecoms and software have different views of the world. Telecoms really understand what five nines are in terms of high availability and things like that, whereas in the software industry if something goes wrong you just switch the machine and it gets solved. So I think that’s very good as well.Basically what we do is what is called cloud hosting or infrastructure as a service, which is basically the technical jargon for renting servers in the cloud. So instead of buying your equipment, you just go to our website or through one of our sales channels and get a certain amount of computer resources and storage, etc., and you set up your servers and your infrastructure. So obviously there has been a change of paradigm in terms of providing IT services. I remember only a few years ago â€" I’m talking of four or five years ago â€" you had to buy hardware and always oversize just in case for the peaks. It’s quite interesting, the sector has evolved so much. Now, for example, we’ve just launched a really good feature that we call tele-transportation, and it’s actually quite unique in the world, no other provider has it yet, and we can move a virtual machine from machine to Madrid to Miami, where we have two data centers, we can move the machine without rebooting the machine, without changing the IP address. So it’s really cool, like you have one machine serving traffic in Madrid, and two seconds later you have it serving traffic in Miami, so it’s like tele-transportation.Int erviewer: This is also beneficial for the client because the loading speed of the website improves.Diego: Exactly. What we’ve done so far is always listen to our customers and see what they really needed. So obviously we can’t compete with the large multinationals and the large hosters that have tons of engineers developing new products every day, but we really focus on things that our customers demand. So we have some of our large customers who have a lot of traffic on both sides of the Atlantic, what do they do to be closer to their end-customer, to replicate their infrastructure? So they have, imagine, ten servers here in Spain serving traffic and another ten in America. During the European day the one in Europe are really busy and the ones in America are doing nothing, then at night time it’s the opposite.These we developed with two uses in mind. First of all for contingency, for business continuity, so if something happens here you can move your infrastructure there. But also for a feature that we follow ‘follow the sun’, so in this scenario that I was telling you, replicating infrastructure, that type of customer what they have now is ten servers in Spain and in one or two in America during the day, so you have these ones that are really busy and then a couple there for the night owls that are looking at the websites in the middle of the night. And then when the sun starts coming down and the traffic patterns start to change then you start moving machines. So suddenly instead of ten plus two, you have a nine plus three, or eight plus four. And then 24 hours later you reverse the situation, and you do that twice a day. Basically what you get at the end of the day is that you save almost 50% of your costs.Interviewer: I understood that you were trying to develop some software in order to utilize your service much better and more efficiently, and thereby increasing your margins or lowering your prices for the customers. What is the major differenc e between your product offering and the product offering of another company?Diego: I think there are two questions there, one about the software and then the infrastructure. But starting with the second one in terms of our competitive advantage or difference with other providers, one of the most important things, or the key has been our customer support and our local element, what I call being a local company. We are trying to be a global company, and actually we have offices already in five countries and we’re opening a sixth this month, but by being local. And this is quite important, because I remember when I started the company and we started looking for funding, some investors said to me, “You are absolutely crazy. Don’t go into this game, this is for the big ones and you have nothing to do.” And I always defended that there is a very strong local element to this type of service, and I think time has proved us right. 3,000 customers later, with a growth in revenues and being the leader in the cloud hosting space in Spain has proved that we were right, because at the end of the day the type of services that we offer are absolutely critical for our customers. It’s not like four years ago or ten years ago that you’d put a website the same as you would leave a brochure somewhere, and if it was down a couple of days, doesn’t matter. And now some of our customers it’s their whole life, all their business is online. So obviously they can’t be down, not even one second for some of them.So the fact that you have a local company that you can talk on the phone with someone in Spanish, which is quite important, other services support is in English and by e-mail, and both are big barriers for Spanish speaking countries. One, because we are terrible at languages, unfortunately, so people want to talk in Spanish and want to be able to communicate in Spanish. And also we like to talk. People don’t like sending e-mails and waiting for a reply. To be ho nest, for a service that is mission critical, it’s not acceptable.So we started with a really good customer service, obviously with local telephone support in all the countries where we are, in Spanish, in English as well, we have bilingual staff, but the important part is Spanish. And it is also run by engineers, so we only have engineers and system administrators. So our first level of support is equivalent to a second or even third level of another provider or telecom or things like that. So that has been for us the best marketing, the best customer appreciation too. And actually till today more than 35% of new customers every month come referred by existing customers.Interviewer: I understood that customer service is quite an important point for getting competitive advantage, is there anything special about your product that is different from bluehost or other hosting or other hosting providers that generates, from your perspective, competitive advantage?Diego: Obviously custo mer service is really important, but you need to have a good product, because at the end it’s the most important thing. So we’ve always done two thing, focus on the quality of the product, so we’re not the cheapest in the market, but we offer very good quality services and people realize and talk about it. But also we’ve taken a different approach in many areas, and I think that has actually worked quite well. As I was saying, we launched with what we thought was the very minimum and have been growing our customers. So just to give you some examples of things that we do differently, I think there are two main differences especially with the large multinationals. One is the philosophical approach that we’ve taken, and that’s getting a competitive advantage from a usability point of view, customer experience. In the beginning when we set up the company, our target were the small and mid sized companies. We thought that the big companies were already sorted, they had their technology needs sorted, so we wanted to offer this type of technology and benefits to the smaller companies. Therefore, we spent a lot of time and effort in the control panel, the user interface, the usability, the customer experience. And then to our surprise we started receiving calls from very large companies that they were interested in this service. And it has happened that that which we designed for non-techies actually the techies are now loving it. So we try to make things extremely easy from a user point of view, from a usability and user experience, and also from a cost experience.Interviewer: The good thing about that is that even though you have invested a lot of money into the good customer service, you still, I would assume, get less calls because people don’t have problems, or at least they can solve them by themselves.Diego: Exactly. And there is no learning curve. Normally in this type of business when you acquire a customer you have very intensive 30 days or mor e, four to six week period where you have a lot of interaction. With us it doesn’t really happen like that, because people can do everything, it’s very intuitive. So we didn’t plan it that way, but it has become a competitive advantage.Interviewer: Let’s talk briefly about the market development in the Spanish speaking world in terms of the whole cloud hosting. Can you tell us for example about the market segment how they develop in terms of sales, gross rates, profitability, and what would be your guess for the future?Diego: The hosting market in general in the Spanish speaking markets is much less developed than for example the UK market, which is the largest market in Europe, or Germany that is the second largest. And this is quite similar both in Spain and in Latin America. Historically people have had their own infrastructure in-house, it’s what we normally call hosting in the closet, because it is normally like a small closet that you have in the office and you have your machines there. So it hasn’t had as much development as in other countries or obviously the States, which is the largest market in the world for these types of services.And then the market is extremely fragmented. For example, here in Spain there are about 2,000 hosting companies. The market would be around €600 million per year, and the largest one has revenue of €40 million. So that gives you an idea. There are couple of companies that are larger with €30 or €40 million, and then all the rest are below €10 million. So it is an extremely fragmented market. In South America it’s even more fragmented. It is a very fragmented market with traditional hosting companies, so they’ve been, first, very focused on share hosting, which is how they started, so you buy a physical machine and you try to squeeze in a few thousand customers. Then they moved to dedicated hosting, you have your own physical machine. That was what gave the growth in Spain for the last two to thre e years. And when we started in the market we were almost the first to offer cloud hosting services as a local provider. For the rest it was it was difficult to follow us, because the large ones were worried cannibalizing their own dedicated server base, and they small ones couldn’t really afford to invest in infrastructure, because the cloud infrastructure is quite different from the dedicated servers or the shadow hosting, and then you need all the platform and stuff that requires a lot of development effort. So in that sense we launched and we were quite successful. What we see is that a lot of the dedicated servers are decreasing, and that space is being taken by virtual private servers, VPS, on the low side, and then on the medium market and the corporates for what we call cloud services.In terms of the market, just to give some size, I talked about the size in the Spanish market as a whole hosting being 600 million, the part of cloud hosting we estimate to be like 120 millio n. There very limited information about the size of the market, especially in Spain and Latin America, but the analysts, even the most conservative ones, estimate that in the regions we operate, let’s say the Spanish speaking market, Spain and Spanish Latin America, it would be $350 million or $400 million at the moment and growing in the next three years, so in 2016 with $1.2 billion. So the growth rates are phenomenal. We are seeing it in the market. In Spain we estimate that it’s grown about 40% in the couple of years. In Latin America over 50% in most of the markets we’re in. And our experience, we’re growing in terms of revenues double digit every month, month after month. So it’s a very very healthy growth.Interviewer: We always try to tell our readers about some unique experiences from entrepreneurs, and as we are here today in Madrid would you like to tell about the impact that the financial crisis had on you as a startup, and maybe generally on the ecosystem in Sp ain?Diego: Starting from our own experience, we didn’t set out the company because there was a crisis or we didn’t think about not setting it up because there was a crisis. We saw a business opportunity from the other side, we were very good customers of large hosters, we couldn’t get cloud hosting services in Spain, and we couldn’t get it in Spanish, so we thought there was a gap in the market and we decided to go for it. And this was the worst time of the crisis, when we were looking for funding it was the Spring of 2011 when Spain was at the verge of being intervened. So it was very difficult. We actually talked to investors abroad and they were saying, “Are you crazy, we are not putting any money in Spain.” And I remember one actually that said, “If you were in Germany I would invest.” And I said, okay, whatever. And probably if we were in Germany it wouldn’t work, because there are strong players there. But the market opportunity is here. It was challenging in that respect, getting the funding. Because we were very capital intensive we have to invest a lot in infrastructure, in customer service 24/7, etc., we needed quite a bit of money from Spanish standards. So it was a challenge.But then it has helped us a lot, because together with the crisis we had the worst credit crunch in Spanish history. As I said, historically companies like to buy their equipment and have it there in front of them and see the lights, and suddenly they went to direct HP, oh no, I can’t finance you. Vendor finance was gone. They went to their server retailers I need to rent it. Oh no, we can’t give it to you, unless you put the money here, a deposit. Well then I will buy it if I have the money in cash. So people suddenly couldn’t buy machines, or they couldn’t finance them, and a lot of the companies didn’t have the cash to invest. So some customers came to us almost like a financing alternative, and I remember for example a customer saying to us, “D iego, what I would really like is to buy the equipment and have it at home, but I can’t, so I will get it from you guys.” And then they started seeing the technical advantages. And now they’re getting more and more excited, and they say this is great because I have the advantages of having it in the house because I have full control over the control panel with the advantages of you guys taking care of all the infrastructure.For the ecosystem, I think it has been quite good. Obviously it’s a drama, unemployment rates here are absolutely incredible, especially with the young people. But one of the good things has been that people are certain to change their mentality. And Spain historically we’ve been a country of entrepreneurs, we travel the world discovering places and stuff, we’ve always been very venturous in that sense, and if I look back for somebody even in my own company, in my own family a generation back, every single person had their own business, be it a small coffee shop or architecture office, or whatever it was, but they were working for themselves. Whereas in the last 40, 50 years, it was quite the opposite. The best thing that could happen to you would be to work in a large company in Spain or for the government for your whole life. Work forty years and stuff. So that was the mentality until only three years ago. And I think with the crisis people started seeing that first of all those jobs are not as safe as they thought, unfortunately every single large company in Spain let people go, so they realized this is not a job for life. And people â€" some because of conviction and some, unfortunately, because of the situation they had â€" started their own thing and their companies, so there has been a move in terms of entrepreneurship.And also the cloud hosting industry historically has been very very small, and in the last three the money available has more than tripled. There are new funds, larger funds, there’s a lot more money avai lable for entrepreneurs, so that’s a good thing. And I think what we need now to close the circle is to have a good few exits that could encourage entrepreneurs to start their companies and also investors to put their money. And then you close the circle and things start working.Interviewer: Diego, thank you very much.Diego: It’s been a pleasure. Thank you for inviting myself and Gigas to talk to you.Interviewer: Yeah, and if you’re looking for a nice cloud hosting company, check out Gigas. Thanks.Diego: Thank you.

Strong and Weak Vowels in Spanish

Vowels in Spanish are classified as either weak or strong, and the classification determines when combinations of two or more vowels are considered to form a separate syllable. Key Takeaways: Spanish Vowels The strong vowels of Spanish are a, e, and o; the weak vowels are i and u.When two strong vowels are next to each other, they form separate syllables; in other combinations, the vowels are in the same syllable.Two vowels next to each other form a diphthong; three vowels next to each other form a triphthong. Two Types of Vowels The strong vowels of Spanish — sometimes known as open vowels—are a, e, and o. The weak vowels — sometimes known as closed vowels or semivowels—are i and u. Y often serves as a weak vowel as well, functioning in the same way and sounding the same as i. The basic rule of vowel combinations and syllables is that two strong vowels cannot be in the same syllable, so that when two strong vowels are next to each other, they are considered to belong to separate syllables. But other combinations — such as a strong and a weak vowel or two weak vowels — form a single syllable. Be aware that in real life, especially in rapid speech, two strong vowels, such as in the words maestro and Oaxaca, often slide together to be pronounced in a way that may sound like a single syllable or very close to it. But they are still considered separate syllables for writing purposes, such as when dividing words at the end of a line or for the use of accent marks. Keep in mind that vowel sounds in Spanish tend to be purer than they are in English. In English, for example, the word boa (a type of snake) often sounds something like boh-wah, while in Spanish boa sounds more like boh-ah. This is because English speakers often pronounce the long o with a slight ooh sound at the end, while Spanish speakers do not. Diphthongs When a strong and a weak vowel or two weak vowels combine to form a single syllable, they form a diphthong. An example of a diphthong is the ai combination in baile (dance). The ai combination here sounds much like the English word eye. Another example is the ui combination in fui, which to the English speaker sounds much like fwee. Here are some fairly common words that include diphthongs (shown in boldface): puerto (port), tierra (earth), siete (seven), hay (there is or there are), cuida (care), ciudad (city), labio (lip), hacia (toward), paisano (peasant), cancià ³n (song), Europa (Europe), aire (air). In some words, a strong and weak vowel or two weak vowels dont merge together but instead form separate syllables. In those cases, a written accent over the weak vowel is used to show the distinction. A common example is the name Marà ­a. Without the accent mark, the name would be pronounced much like MAHR-yah. In effect, the accent mark turns the i into a strong vowel. Other words where an accent mark is used to keep a weak vowel from becoming part of a diphthong include rà ­o (river), heroà ­na (heroine), dà ºo (duet) and paà ­s (country). If there is an accent over the strong vowel, it doesnt destroy the diphthong. For example, in adià ³s, the accent merely indicates where the spoken stress goes but doesnt affect how the vowels work together. Triphthongs Occasionally, a diphthong can combine with a third vowel to form a triphthong. Triphthongs never have two strong vowels in them; they are formed by either three weak vowels or a strong vowel with two weak vowels. Words that have triphthongs include Uruguay (Uruguay), estudià ¡is (you study) and buey (ox). Note that for purposes of the written accent, the y is considered a consonant even if it is functioning as a vowel. Thus the final syllable of Uruguay is what gets the stress; thats where the stress goes on words ending in a consonant other than n or s. If the final letter were an i, the word would need to be spelled Uruguà ¡i to maintain the pronunciation.

Old Man and Sea Essay - 616 Words

Perserverance, Courage, and Wisdom Used in Everyday Life Throughout a life, people have to overcome obstacle after obstacle to be successful in the world. Humans are thrown challenges day after day, week after week. Everyone must try hard at something to be truly happy in their life. In Ernest Hemingway’s novel The Old Man and the Sea, he used the marlin and the sharks as symbols, and gave Santiago certain character attributes to depict the perserverance, courage, and smarts needed to get through the ups and downs that life hands everyone. Santiago had gone 84 days without catching a fish and was about to surpass his previous record of 87 days, when there was a pull on his line. Santiago had finally caught a something. To make it even†¦show more content†¦These sharks do not bring out the best in Santiago, but like the marlin, Santiago loses all strength while fighting these beasts. Santiago felt that fighting the marlin was worth his time because it would bring him glory. Fighting the sharks would only bring destruction. Only when the marlin had been entirely eaten away does Santiago give up, knowing he â€Å"was beaten now finally and without a doubt† (119). Even though Santiago has the feeling of defeat, the community finds him a hero for taking on that struggle and fighting until the end. nbsp;nbsp;nbsp;nbsp;nbsp;Ernest Hemingway gave Santiago many characteristics to give him the strength to battle the marlin, his feeling of hunger, and the sharks. One of the attributes was his wisdom. Santiago describes, â€Å"...I am glad we don’t have to kill the stars. Imagine if each day a man must try to kill the moon. The moon runs away. But imagine if each day a man should have to kill the sun† (73). His wisdom and his logic helped him through the three days of struggle. Hemingway showed that Santiago may have been old, yet with his experience of fishing, his patience, and with his hope he was able to bring home the finest catch of all, even though there was not much left of it. nbsp;nbsp;nbsp;nbsp;nbsp;Santiago had what it took to get the things done that he felt would help him in the long run. He felt he was unsuccessful at the task at hand, but others applauded his courage and strength to keep going, even whenShow MoreRelated Old Man and the Sea Essay1214 Words   |  5 PagesErnest Hemingway wrote The Old Man and the Sea to show how you can push through the hardest of times and still not be defeated. The story shows how an old fisherman overcame an unlucky slump with the support from a young boy that loved and helped Santiago named Manolin. Santiago fought through the discrimination of the other old fisherman and refused to give up. Through Santiago’s struggles when trying to catch the great marlin, he kept pursuing his goal. Through sweat and tears Santiago never givesRead More The Old Man and the Sea Essay1361 Words   |  6 Pages In The Old Man and the Sea, Ernest Hemingway describes an old fisherman and the unfortunate trials he faces as his quot;luckquot; runs out. Through the novel, the fisherman, Santiago, replicates Hemingways ideal man, a noble hero. Hemingway had a Code of Behavior that he himself followed. He had morals that were strict and an appreciation for instinct and human nature. He had a specific way of living life and an understanding of time. He believed in taking risks and acting upon instinctRead More The Old Man and the Sea Essay526 Words   |  3 PagesThe Old Man and the Sea In The Old Man and the Sea by Ernest Hemingway there are two characters who have a great friendship, the old man and the young boy. The old man has been fishing for many years and for the last eighty-four days has not caught a fish. Now the boy who looks up to him is not allowed to fish with him anymore. This boy looks up to the old man as a hero because the old man shows courage, perseverance, and respect. The old man shows courage just by going out all alone everydayRead MoreEssay on Old Man And The Sea683 Words   |  3 Pages Old Man and The Sea quot;The great DiMaggio is himself again!quot;(21), in Ernest Hemingways novel, The Old Man and the Sea, which takes place near Havana, Cuba in the Caribbean Sea, a very old, unlucky, fisherman sets out for the big catch. The great DiMaggio is seamed throughout the novel to symbolize the old man and his struggle to catch the big fish, yet also he poses as a role model for Santiago (the old man). The old man is using the great DiMaggio for a role model. At a certain pointRead More the old man and the sea Essay615 Words   |  3 Pages The Old Man and the Sea nbsp;nbsp;nbsp;nbsp;nbsp;In the timeless novel The Old Man and the Sea, the hero is undoubtedly the old man, Santiago, whom us as readers become very acquainted with. Santiago is a hard-worker and perseveres through every problem nature brings to him. He is in the midst of a horrendous fishing drought, during which the townspeople laugh and ridicule him. Santiago just lets the criticism pass him byRead More Old man and the sea Essay1236 Words   |  5 Pagesof â€Å"The Old Man and the Sea† describes struggle, discipline and manhood. The main characters relationships exemplify how faith and skill overcome man’s adversity during life on the sea. Santiago’s growing relationship with the boy idealizes his statute as a father figure and develops his integrity and values towards the boy. Hemmingway shows us how an old fisherman’s will to overcome the sea’s obstacles proves his manhood to himself and the young boy. His skills and knowledge of the sea pro vide aRead MoreThe Old Man and the Sea Essay500 Words   |  2 Pagesin 1944, where he got his idea for The Old Man and the Sea. There he met a man by the name of Gregorio Fuentes, who for more than twenty years was the captain of Hemingways fishing boat Pilar. Navarro in her article says, he claims to have inspired The Old Man and the Sea. Navarro tells but it was Mr. Fuentess own exploits that were immortalized in The Old Man and the Sea, Mr. Fuentes. The story of The Old Man and the Sea is about a old man named Santiago who has to overcome theRead MoreSymbolism in The Old Man and the Sea Essay945 Words   |  4 Pagesnothing left of the marlin. Santiago accepts this loss, because it cannot be avoided, yet he still holds on to the skeleton of the fish because of his courage and values. 3. Firstly, Manolin’s parents who forbid Manolin going out to sea with Santiago are an example of living by this false code. They do not want to accept the pain of Manolin going with Santiago a nd not bringing back something. They don’t have the endurance to accept that loss, although unavoidable, and thereforeRead MoreEssay on The Old Man and the Sea Outline872 Words   |  4 PagesKyle Neuhaus Schwake-Rios American Literature Honors 18 April 2012 The Various Themes of The Old Man and the Sea I. Introduction A. The story of a battle between an experienced fisherman, a marlin, and the struggles the old man has to overcome to be victorious. B. In Santiago, the central character of Old Man and the Sea, Earnest Hemingway has created a hero who personifies honor, courage, endurance, and faith. II. Honor A. As Santiago goes too far trying to catch the marlin, heRead MoreEssay about The Old Man and the Sea850 Words   |  4 PagesThe Old Man and the Sea Callie Dorfman 1031099 Amanda Cockburn (Remake) 1 In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks

Battle of the Marne Free Essays

ww2 The Battle of the Marne By Owen Fish In September 1914, the First Battle of the Marne took place. It is called the Battle of the Marne because it took place at the River Marne outside of Paris France. The German forces were attacking the French capital after invading places like Belgium and North Eastern France. We will write a custom essay sample on Battle of the Marne or any similar topic only for you Order Now The Germans were expected to win this battle and because of that, the French government fled Paris to Bordeaux. The Weapons used during this battle and many battles of this time was bolt action rifles, with the Germans using the Mauser Gewehr 98. When the Battle began the French Commander in Chief, Joseph Joffre, launched a counter attack by attacking one side of the German line. When he attacked the one side, part of the line helped out the people on the side, creating a gap between the two German armies. When this gap formed, the French troops forced it wider and wider by attacking the other side of the gap. On September 8 1914, French troops launched a surprise attack on the second German army, further widening the gap between the two armies. On September the 9th, the German chief of staff, Helmuth Von Moltke, ordered a retreat by the two German armies because of poor communication between them. When they retreated the Allied forces followed them, but not too quickly. After approximately 40 miles of retreating from the Marne river, the Germans camped out and dug trenches, that eventually led to trench warfare. The French armies lost about 250,000 soldiers at the Battle of the Marne and the German armies are believed to have lost about the same numbers, but no official numbers are available. The British BEF, which helped the French armies throughout the battle lost about 12,733 men. The Allied Victory at the Battle of the Marne not only was an Allied Victory, but it ended any German hopes of ending the First World War quickly. French Soldiers at the Battle How to cite Battle of the Marne, Papers

Title Persuasive Essay Example For Students

Title Persuasive Essay The daughter of an active feminist, Mary Woolstonecraft Shelley eloped with the famous poet Percy Bysshe Shelley at the age of 15, and after was continually and profoundly influenced by his words and writings. Her novel Frankenstein is named among the best written and most meaningful of the gothic works, and is one of the few still popularly read today. A precursor to the Romantic trend in art and intellect, gothic novels rejected of the precepts of order, balance, idealization, and rationality that typified Classicism in general and late 18th-century Neoclassicism in particular. The gothic tradition grew out of disillusionment with the Enlightenment and 18th-century rationalism and physical materialism. Romanticism as a whole emphasized the individual, the irrational, the imaginative, the spontaneous, the emotional, and the transcendental. Shelley herself defines gothic as a story which would speak to the mysterious fears of our Nature, and would awaken thrilling horrorone to make t he reader dread to look around, to curdle the blood and quicken the beatings of the heart. By infusing moral and social concerns into the gothic style, Shelley achieves more than a simple horror story, however. The universal societal and psychoanalytical questions raised in Frankenstein secure its place in world literature and promise decades of similarly fashioned gothic writings. As stated above, the gothic genre developed as a harsh reaction to the predominant Neoclassic ideals of the time; the emphasis shifted from the whole to the solitary, and from society to nature. The Graveyard Poets, one of whom is Thomas Gray, are attributed with having ushered in the new philosophy and are often termed Pre-Romantics. Grays Elegy Written in a Country Churchyard has all the elements of the gothic: graves, overtones of death, a rural setting, and a desire for return to a more simplistic, natural time. Simultaneously, Jean-Jacques Rousseau preached a similar creed which presented society as evil, and called for a natural state of man. Shelley was schooled in both writers, and took their words to heart. In 1776 and 1789 Revolutions swept America and France, indicating that the Neoclassic ideals were not as stable as was previously thought. News of these revolutions infected the English with fears about similar occurrences in their own country, and much of this trepidation is manifested through devices such as the senseless mob violence in Frankenstein. Mary Shelley took fragments of histories and a legend surrounding the castle Frankenstein (which she may or may not have visited) she had heard and developed them into her novel. The castle was once inhabited by a doctor Conrad Dipple, an alchemist who claimed to have the elixir of life, and was known for graverobbing and signing his name Frankenstiena. She came across this information while vacationing with her husband and Lord Byron in Geneva in the summer of 1816. Mary writes in notes for an edition of her late husband s poetry that they read that summer the New Testament, Paradise Lost, Spensers Faery Queene, Montaignes Essays, and Aeschylus Prometheus, among numerous others (The Complete Poems of Percy Bysshe Shelley 575). One evening the three, along with Dr. John Polidori and Marys stepsister, Claire Clairmont, were trapped in Byrons castle as a storm raged outside. For a change from reading Coleridges vampiric poem Christabel, Byron suggested a ghost story competition. Out of this competition came Polidoris The Vampyre, Byrons Manfred, and Mary Shelleys Frankenstein, the idea for which came to her in a nightmare. The setting under which the story was devised was perfect for the story itself; Frankenstein takes place in the Swiss Alps and in Ingolstadt, where Victor Frankenstein is schooled and creates his monster. The novel swims in gloom and decadent expanses of castle and lecture hall, and all the confrontation scenes between Victor and his creation take place in harsh natural settings such as the cliffs and the ice floes. This reinforces Shelleys belief in both the destructive and beautiful properties inherent in nature, and heightens the conflict between the two characters. The setting, in turn, helps create the mood which permeates the novel. The tone is melancholy, and has an almost destructive sense about it. Due to the instability of the entire society, and Victor in particular, the mood shifts much like the emotions of a manic-depressive would; Victor seems wholly disconsolate yet notices flashes of beauty, such as in the spring during which he recovered with Clervals assistance. The tone also reveals the social prejudices of the time during the scenes in which the monster is attacked though he has done nothing to provoke such action. This mob mentality is used to illustrate the dangers of a society thinking as a whole; one mistake, and all is lost. The attacks are depicted violently and seem almost mechanical as one shout of fear and misunderstanding leads to an uncontrollable mass of angry bodies without any real reason for their ire. The truly frightening aspect of the mob scenes is the fact that no one questions the purpose behind the attack, but simply follows. The story makes use of a frame, a structure typical of the genre. The events are retold from a first-person narrative to a secondary audience who is unfamiliar with the happenings. This allows justification of expository information and also allows the audience (now the narrator) to voice thematic and moral assumptions derived from the content of the tale. Frankenstein begins as a seamans journal, but, upon the beginning of Victors experience, drops almost entirely the presence of Robert Walton (the seaman) and presents the tale through the Doctors eyes. Walton is necessary for practical reasons as well: since Frankenstein dies, there must be someone to relate his life, and it would be unfeasible for the story to be told through a personal journal for the simple fact that Fran kenstein had more important things to do than keep a diary. Shelley drew from two Classical sources, Ovids Metamorphosis and John Miltons Paradise Lost, for the creation of Frankenstein. From Metamorphosis came the Prometheus legend, which appears in the subtitle The Modern Prometheus. One of the Titans in Greek mythology, Prometheus returned fire from Mount Olympus to the humans after it had been taken from them by Zeus, and so was imprisoned on a peak where an eagle each day ate his liver, which grew again each morning. The Prometheus legend applies to Frankenstein in the instance of Victor, who obtains forbidden knowledge (that which humans should not have, like the fire) and then is punished for its misuse, however unintentional. Adam and Eves Fall from Grace, as related in Miltons epic poem, is very similar to the Prometheus legend, but with obvious Christian overtones. Victor Frankenstein is the ignorant humans in the Garden who are overcome by the temptation of the snakes (Sa tans) poisoned fruit of forbidden knowledge. Victor truly believes his efforts will help humanity, and A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me (Shelley 52). In the end, however, nature refuses his sway over its secrets and hands him an abomination; his failure is absolute and he suffers dearly his grand illusions. He has fallen, and all he holds in his heart is destroyed as a result of his seemingly benevolent search for things beyond his capacity and place. Percy Shelley was a devout atheist (if such a thing is possible), and he doubtless challenged the validity of Marys proper Christian upbringing. Despite his abhorrence for organised religion, both Shelleys read Paradise Lost twice for its literature between 1816 and the publishing of Frankenstein in 1818, and the influence of Milton is obvious. On the title page Shelley quotes Milton, Did I request thee, Maker, from my clay To mould me Man, did I solici t thee From darkness to promote me? Paradise Lost, X, 743-45 In the context of her novel, the passage reads as the monster questioning Victor, to whom he gives scornful god-like attributes. Victors irresponsibility in creating the innocent being from severed corpses and then refusing him and leaving him to die speaks of a distant, uncaring god whose qualities mirror Satans more closely than Christs. Shelleys novel is a clear message warning the unbridled destructive power of aggravated Nature, and the realms into which man should not meddle. Just as Victors character is a composite of Adams, Gods, and Satans attributes, the monster is faced with the same confusion of identity. This quality stems from Shelleys concern over the identity of her society as a whole, which was slowly disintegrating into smaller hostile factions. Paradise Lost is one of the works from which the monster masters language (another being Frankensteins journal, which fans his rage), and so he becomes learned in Christianity. The monster, being of above-average stature and strength, also displays a highly intellectual and logical power of reasoning. He extends his personal condition into the novel and declares, Like Adam, I was apparently united by no other link to any other human beingI was wretched, helpless, and alone. Many times I considered Satan as the fitter emblem of my condition (Shelley 135-136). The monster, while conceived of the discarded parts of criminals, was originally quite kind and sought only companionship, one of the primary quests of man. God saw this and bestowed Eve upon Adam. His unnaturally born and unlearned character served as a foil for the misguided and overly scientific Frankenstein. However, after a string of unfounded and brutal refusals by both his maker and society, his once benevolent character turns to anger and the pursuit of revenge. The creature tells Frankenstein that, The fallen angel becomes a malignant devil. Yet even that enemy of God and man ha d friends and associates in his desolation; I am alone (Shelley 240). Since he is rejected as another Adam, the monster assumes the role of Satan, where at least he is able to vent and does get some attention and respect. His rationale is that, if I cannot inspire love, I will cause fearif I have no ties and affections, hatred and vice must be my portion (Shelley 125-126). Denied of love and companionship, the monster reasons that the only option left him is its opposite: evil and destruction. Like Satan, the monster is effectively isolated from society due to the perception of him as hostile and evil, and this only serves to increase his hostility. Well before he had committed a single act against society, they fled from him or pursued him with weapons and cries. He saved a young girl from drowning and was shot; he helped a destitute family through a winter they would not have survived and, when he finally amasses the courage to reveal himself to them, they beat him and chase him f rom their land. He relates that Felix (the young man of the family) struck me violently with a stick. I could have torn him limb from limbBut my heart sank within me as with bitter sickness, and I refrained (Shelley 117). Even when attacked the monster is too upset by this refusal of his company to defend himself; companionship and understanding are of primary and singular importance to him. After several such disheartening failures, the creature resigns himself to a solitary life and devotes his energies towards the destruction of his absentee creator. Had he been accepted by only one individual, he might have endured the hostility of all others. The theme of mans fall from grace is attributed to the sin of pride and the danger of delusions of grandeur. If man would accept and remain confined to his place in the scheme of life, nature would do as should be done, and man could live in harmony. The balance between the natural world and the newly industrialised, scientific world of ma n is delicate and unstable. Shelley believes that scientific advances must be employed with extreme caution, and man must never forget his roots. Another struggle between poles is the ubiquitous battle between darkness and light. Metaphorically, darkness seeps into the light of knowledge much like the ever-present gloom in the gothic atmosphere. This ignorant darkness threatens progress and knowledge, but is natural and permanent; never will light overcome darkness, but the opposite is plausible. Occasional flashes of light, such as Victors discovery of the secret of life, are quickly obscured by the unforgiving and impenetrable blackness of nature. This impossibility of the permanence of scientific knowledge (which is the most dynamic branch of knowledge) questions the validity of a society based upon reason in a natural, malevolent world. The gothic is based upon the realisation that the former intellectual structures were collapsing, and Shelley is doubtful of the coming of a new er, better philosophy. The cycle of philosophies is again drifting towards nature as the key to harmonious and godly life, and Frankenstein illustrates the triumph of nature over science. Frankensteins monster is the embodiment of science and reason twisted to reality by the whims of Nature under which he was schooled. Science unleashed and unmonitored (as all science ultimately becomes) offers far more serious consequences than nature itself could ever inflict upon man. More than a caution on the dangers of science, Frankenstein calls for a united band of tolerant and democratic individuals to comprise the new culture. Ironically, the monster embodies this ideal: If any being felt emotions of benevolence towards me, I should return them a hundred fold; for that one creatures sake, I would make peace with the whole kind (Shelley 125). The monster wishes for peace and understanding while Frankenstein himself is caught in a web of reason and intellectualism; the creature is the embodi ment of nature while Victor serves as an illustration of the failing Neoclassic philosophies. The violence of this breaking social structure manifests itself with a distaste for the aristocracy (symbolically, the castles) and their comfort in their abused powers. Romanticism places importance on the individual and on democracy, denouncing hierarchical and inherited rule. The mob mentality and general loss of identity is derived directly from the disintegration of such a long-standing system; the culture is drowned in a torrent of questions and confusion. Finally, the omnipotence of nature again overrides the futile attempts of man at order and reason. Though Frankenstein is said to have marked the end of the gothic period in 18th century literature, its model still is emulated and admired. The novel had great influence upon the middle and late Romantic works, such as Percy Bysshe Shelleys drama Prometheus Unbound of 1819. Among the characteristic attitudes of Romanticism was a deepe ned appreciation of the beauties of nature, an exaltation of emotion over reason and of the senses over intellect, a focus on mans passions and inner struggles. The movement also emphasized imagination as a gateway to transcendent experience and spiritual truth, an interest in the medieval era, and a predilection for the mysterious and the monstrous. These attributes evolved directly from the gothic genre, but became more refined and less grotesque in the process. The Victorian era saw a resurgence in the ghost story, though their style tends to be more subliminal and domesticated than the blatantly evil tone of the gothic. American Romanticism had its base in this period of English literature as well. Poes Ligea and Fall of the House of Usher and Hawthornes Young Goodman Brown use many gothic conventions and themes, such as the ominous tone, dream-like or surreal sequences, and warnings about interdependency and the manipulation of ones mind. The gothic novel revolves as part of th e literary cycle, periodically returning for a brief period in the publics eye and then again disappearing into obscure circles of its few disciples. In this scientific age, the gothic is viewed as being overly sentimental, predictable, and implausible. As the ages change, readers, like Victor, are forced to exchange chimeras of boundless grandeur which the gothic inspires for realities of little worth (Shelley 46). The gothic, the fantastic, is a necessary balance for logic and reason as much as light is to dark, and good to evil. Without one, the other is undefined and therefore has no purpose in its existence. Frankenstein will live on as a brilliant insight into both the political environment of the 18th century and the eternal condition of man as an extension of nature. 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